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The speakers we review here are mostly conservative alternatives from a Fender perspective.We prefer speaker models who sound close to the originals that came in these amps.A 1990 JAN B 1991 FEB C 1992 MAR D 1993 APR E 1994 MAY F 1995 JUN G 1996 JUL H 1997 AUG I 1998 SEP J 1999 OCT K 2000 NOV L 2001 DEC M 2002 N 2003 O 2004 P 2005 ALL other Fender Amplifiers can be dated by the components inside: In almost every Fender amplifier there are several EIA (manufacturer) codes followed by a date code, typically found on the speaker(s), transformer(s), tubes, caps, and occasionally pots.The EIA code will consist of 3 numbers followed by a date code of 3 or 4 numbers designating the year and the week.We use it to describe a “natural” tone, meaning a relatively flat frequency response.Speakers can have different frequency response depending on materials and construction design, like cone shape, magnet weight and coil size.
465 designating the Oxford EIA code, 2 designating the year 1962, and 17 designating the 17th week of ’62.
In some cases we want more power and headroom, particularly in small single speaker amps like the Princeton Reverb and the Deluxe Reverb who were poorly equipped from the Fender factory (it is a big shame that the Jensen C12n never was installed in the blackface Deluxe Reverb).
In bigger, multiple speaker amps we often like speakers with lower power handling and less efficiency because the amps are more than loud enough and we want some tone out of them by turning the volume up (it’s all about playing in the sweet spot).
Variation is the key and therefore, my friend, you need several guitars, amps, pedals and different speakers.
At we prefer mostly the American type of speakers for vintage Fender amps.
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In this case we prefer darker sounding speakers than the typical American Jensen C12n-style.